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	<title>Suresh Krissna &#187; Baasha</title>
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		<title>Baasha (Tamil, 1994)</title>
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		<pubDate>Sun, 24 Jul 1994 15:35:44 +0000</pubDate>
		<dc:creator>sk</dc:creator>
				<category><![CDATA[Baasha]]></category>
		<category><![CDATA[Films]]></category>

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		<description><![CDATA[A landmark film of my career. For many, it was also a cult film.  It was the first of its kind, made in a non-linear narrative screenplay. You might notice certain films, even today, are made in similar format.  You would perhaps notice that most heroes in South India would have done a [...]]]></description>
			<content:encoded><![CDATA[<p>A landmark film of my career. For many, it was also a cult film.  It was the first of its kind, made in a non-linear narrative screenplay. You might notice certain films, even today, are made in similar format.  You would perhaps notice that most heroes in South India would have done a role in Baasha format. The film also had Nagma as the heroine playing the role of Priya.</p>
<p>For Superstar Rajnikant and myself though, it was a hat-trick.  <em>Annamalai</em>, <em>Veera</em> and now <em>Baasha</em>.</p>
<p>The story revolves around an auto driver Manickam with a dark history, as Baasha, the most feared don in the underworld of Mumbai.  It had a gripping screenplay and a brilliant performance from the super star.</p>
<p>When somebody asked me, how did you make such a great film, I quoted Ramesh Sipppy on his film Sholay, <em>“Films like Sholay are not made, it happens.”</em>  Very true!</p>
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